Dream

I’d sooner be asleep in a dream I have created, than be awake in a dream everyone else has accepted.

Sonnet #5 (’We’, part 2)

We are not done; there’s more to be said,

About Mortality’s gruesome and cold bed.

Our adjectives disclose a closed perspective,

They cannot grasp the totality’s incentive.

Love and God are either empty, or not,

The former is lost, the latter has hit the spot.

Emptiness and fullness places trust on the eye,

Without the viewpoint they cannot come nigh.

These two words, our salvations, leave us with a choice,

“Make us, or unmake us”, speaks their calm voice.

Love that uncanny feeling we fervently chase;

Until we surrender her, we are eluded from her face.

God, that logical impossibility, that ambiguous glitch,

How we yearn him for meaning; we would easily embrace the ditch.

Sonnet #4 (’We’, part 1)

Drifters; humble, arrogant and sentient drifters,

We “row, row, row our boats gently down the stream”.

We step, step, step our feet in this coward’s dream.

Workers; soulless, conditioned and emotive workers.

Mortality, that coquettish wench, breathes us past GO,

The 200 we were promised in nowhere to be seen,

Card after card, mortgage after mortgage leaves us keen.

We drain our eyes of all life, and to pain we proclaim, NO!

But lo and behold! salvation awaits with a glimmer.

Empty words and imagined faces we conjure from deep,

The sweet burden of our illusions we motherly keep.

The very act makes the lights of pain dimmer and dimmer.

Love and God: the emptiest of all words we employ,

As salvation from misery becomes this arduous decoy.

Sonnet #3

His torments, dreads, and showers of envy do ramage,

The mere sight of his fellow darkens his eye,

Why does this green gem in his heart shine with damage?

Cain, oh, Cain: Abel is the loved, the beloved butterfly.

Your own Father does shun you, Fortune does smirk at you,

She embraces Abel, she loves him, she employs his destined road.

Turns a flirt in your presence; for you, she spares no second or two.

You wallow in your emerald swamp of misery, to God, you are but a toad.

Cain, oh, Cain; Abel is the one, the loved, cherished, God’s real son,

But can you really despise him for being himself; can you kill?

Can you eat that orphan’s bread, that tramp’s only bun?

Can you torture the lepper, poke fun at the terminally ill?

Interwoven are your lives, fatefully so; you are the Moon and he is Sun,

You cannot shine without him, night is nothing without you; you are brothers still…

Sonnet #2

Quel est l’amour?

She knocks, and he opens the door.

She enters, tip toed or treading,

The former he welcomes, the latter he’s dreading.

What is love, people?

Her glimpse’s worthy enough to turn him simple.

They touch, kiss, and ”’bout time” together they sing,

With emotional scruples, joy they bring.

¿Qué es amor?

She offers herself, he leads her to the fore.

Trampled and romped by their selfless desire;

They burn their selfs and together jump into the fire.

The world applauds as it witnesses this miraculous relation;

Eros, sitting humbly, smiles proudly at his mischevious creation.

Sonnet #1

Bite at the rhythm of trifled distress

Chew humbly and honestly in its stress,

Hold your arms wide and embrace the mess,

Allow it to burn and soothe your ruined chest.

The songs of sorrow equal those of joy,

One ear pays homage, the other plays coy.

Words and thoughts know very well the feelings they deploy,

These sweet tears and tiresome smiles are their cold jest.

An exchange of ‘ands’ and ‘ifs’ becomes the repetition,

Next is the taste of our very own hate’s sedition.

Breathe in soothingly the ‘joie de vivre’ of thoughtful distinction,

And like a bird, build your life, your wife and your nest.

In anticipation await the full-stop that is death,

So that the nowhere-to-run, becomes the running-towards with the last breath.

Velvet Gaze

This velvet gaze drifts slowly over that which it cannot see;
In the moment of release its passion desires to flee.
With each menacing second his longed-for ways are stripped bare,
Nothing left from his head but his naked, lonely hair.

His velvet gaze now fixated upon an image that is reflected,
Rigid and stiff, he stops and wonders if himself he has rejected.
The mirror stands proudly, or maybe it’s his appearance,
Unknown to himself he finds no self-reverence.

These eyes he gazes upon are his, yet they bleed flaw,
Reasons for such a concept, from his thoughts withdraw.
Can there be a point when the point seizes to be,
Riddles from another world in his blindness make him see.

Origin-ality, person-ality, individu-ality are words he rejects,
Nothing, something and all, even himself he suspects.
Jokily he gets up and, genuinely attempts to write,
The joke turns personal, leaving his ego full of spite

The velvet gaze, no longer smooth, tender and seductive,
It conceals the sought-for with a blend that’s destructive
He seizes the urge to explain his ways, and instead quietly lingers,
At the moment of engagement it slips through his fingers.

That velvet gaze: the enemy, the friend, the all therein
It cannot see, yet it tries as its feeble power turns thin.
The monstrous gaze that is useless yet mandatory
It’s another tool in existence’s pointless inventory.

Modern Romance

Loosens the harsh buttons on his tight collar, preparing himself for the night’s woeful whim. His hope lies on the ‘yes’ that’s audacity’s bother, arming himself with his ego’s loving soft limb. Left hand occupies the card of currency’s fatigue, the right clenches firm the distant communicator. His mind rushes through phrases that might intrigue, his heart screams as the masqueraded devastator.

The bus he awaits, his salient car indoors remains, to the common man, for her sake, he pertains. He wishes to not buy her with his awful possessions, the deal must be sealed with his amiably trite expressions. Romance for him is a game he plays through exchange, I give you this, you give me that; nothing left strange. A double transaction he makes, of crotch and money, like a bear, with the bee he negotiates for her honey.

She is an exemplar of the luxuriant female; legs, hips and hair a delirious asset to hold. Standing there amongst others, before her all look stale, a Jubilant gait; a maenad of Bacchus’ own mould. Truly an emblem of prestige, worthy of possession, to make this sale he needs wholesome indifference. She strikes his imagination, he loses retraction, the deal ready to be lost, with serene ignorance.

The pretty bee conceals the sting in her blonde hair, she waits for him to make his honey intentions bare. To the diner, he proclaims, where we’ll nourish and feast, his eyes undress her figure: north, south, west and east. She notices, but ignores his frivolous dimensions, in hope that his pockets will shelter his defections. Given up in the tale she has, with a droplet of tear. The feeling it brought is subdued by a persistent fear.

Be gone! To the tale she yells in sobbing ecstasy, security, safety, unity and peace of mind she chose. Nothing in the moment, only the gloomy fantasy, her fruitful love has decayed, saluting the morose. Under the veil of illusion that is her heart, she bitterly abstains herself from all and none. An emotional dreg she chooses to be, a gloom art. Insistent hopes for wonder; in them she finds no fun.

The dinner is pleasant; the table is tenderly candlelit, he speaks of himself; she listens to the dreary pit. He asks not much, but expects an abundant lot, to get what he has given and more is his plot. What’s in it for me, is his primary concern, her awareness thickens through his expectation’s burn. She knows the business deal and has more to lose than gain, to reconcile the costs, from his advances she’ll refrain.

With frustration his eyes blaze with quid pro quo, his mind: I gave her dinner, where is the return? The ‘yes’ he anticipated, shrivels into a ‘no’. Her mind: another boy with a plethora to learn. The date is over; his wallet conquered her attention, her blonde hair dazzled him into a stiff madness. Her past seduces her into a future repetition, there is no one better she thinks; to her fear’s gladness.

The second date’s frailty promises only despair, the end of the night; his lewd eyes infect the air. She wants it too, but his attempt at indifference appals, to his ignorant dismay she naturally stops and stalls. He huffs and puffs with the contract deal in mind, I bought you this; you give me that; he’s completely blind. Her own sightless naive self, blames him accordingly, to the messy contract they abide ironically.

Three dates later and they are in standard relation, three years later, and she tosses the bloody bouquet. Thirteen years later, two kids and mortgage automation, she wishes she never threw the fairytale away. His plumbing beyond function in her presence, her heart shrivelled into a raisin, her passion drained. The secretary’s bosom he prefers a younger essence. Her pillow in his absence, with tears is stained.

She’s had enough: to a tryst or to death is her plea, she values herself too much, from her life she won’t flee. She searches for another, with which to humbly negotiate, her honey has no value; the maenad can’t agitate. Her exuberant stride no longer seduces in its wake, a scornful abyss, where once hid love for love’s sake. The selfish intentions shine through her lascivious style, her bee charm repels the men who once sought her guile.

She’s nothing, nobody even to herself adequately dead, her tears futilely cleanse the emptiness that is her soul. Betrayed herself the moment she surrendered to her head, she craves salvation, for a little repose she would give it all. He is saved from such pain, but lost to himself forever; his pride, the pillar that holds him is blocking his sight. His liaisons offer a release from sturdy emotional weather, each woman kills a bit of his spirit, leading him further away from might.

The spoils of modern Romance, this two are but a depiction, the world we’ve built leaves debris absent from benediction. Tears and our lives we pay for a little security in currency, in hope for repose we find nothing but deceptive parity. A business it has become, with a life of its own agreement; ‘what’s in it for me’, the motto of its petty arrangement. Turns beauty into ugliness with a single manifesting look, for us to get to where we are a simple ‘yes or no’ it took.

Praises and smiles for modernity

The clothes of life’s sweetened surety,

Do beckon forth promises of health.

While tenderness smiles at the obscurity,

Cries of despair mingle with this smile.

The sweat on the brow wishes release;

As the world spins on its head, and closes the file.

 

Praises, one proclaims, from deep within;

Praises for you, for me and for all,

Stop, now, allow our life to begin.

Take us into your bosom,

For surrender is our call.

We await a reply, with fervour we stall.

 

Sheep with no shepherd, an Abraham we yearn.

Pluck one from your heart, and teach us to learn.

Words we tangle from left to right.

Meaning we add, yet meaning we seek,

Our living in circles makes life so bleak.

The sentences diminish, and with it our plight.

 

The end of the road is the road’s end.

Tears of the heart are the heart’s tearful blend.

Full stops, comas and colons one writes,

Poles, ignorance and death one smites.

I take her flower that blossoms with a wither,

Tonight milady you belong to me; so come thee hither.

 

Round and round, in verses we go,

Backwards and forwards our will we throw.

She smiles at her decision before the embrace,

Her curtains are shut by her lover’s mace.

He watches carefully at her pleas for feeling,

This one’s life was definitely worth stealing.  

 

Innocence becomes a whisper in the crowd,

Her words he doesn’t hear, no matter how loud.

A step is taken, closer into the abyss of tomorrow,

Where face and groin, become items we borrow.

Modernity brings auctions for all lost or found,

Here anything you can buy, opening bid, a pound.

London’s finest transport…

Doors open wide to reveal a sea of insomnia;
Another day, another week, another year.
Life engulfed by the presence of the mundane.
Monday discloses the stench of beer;
Tuesday and the seats are haunted by job-loss-fear.
Wednesday - bosses nightmare, raises drive them insane;
Thursday they prepare for tomorrow’s shag-fest terrain.
Friday - laughter, alcohol and sex is London’s hysteria.

Saturday morning’s hangover manifests peace;
The evening infested by the immortal deceased.
Vampires, they hide during the day,
Awaiting the sunset to bring recovery and the prey.

Sunday morning is blessed by the touch of God,
The newly induced hangover demands greasy chips and cod.
All the while love is dismissed with a mournful nod.
Sunday evening, the time for a humble retreat,
Head and pillow reluctantly meet;
Anticipating this destructive cycle’s painful repeat.

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